The aim of this exercise is to explore the variety of lighting effects and colour in artificial light. A tripod and cable release might be useful for longer exposures, but are not essential if you decide to take the photographs at a high ISO setting.
Try to include in your shooting the following:
- a floodlit building (look for a viewpoint from where the lights themselves are hidden)
- a brightly-lit store-front
- a large interior with many people, such as a shopping centre (but check to make sure that photography is specifically prohibited, as it might be on private property). Do not use a tripod for this setting.
- a raised view looking along a busy road, such as from a pedestrian overpass. The idea in this shot is to catch the headlights and tail-lights of traffic as streaks.
In fig 01 the sun had just set and this building’s lights had just come one. The display of BMWs were illuminated by LED lights on a timer. This image was done hand-held.
Our overpasses in Vancouver don’t afford a lot of room to stand on so I opted rather to stand on the side of a busy road ( fig 02) and catch the car-trails of the cars going down the road. Taken with the aid of a tripod.
Christmas eve had me out in our street photographing all the neighbours’ Christmas lights (fig 03). This neighbour just had a few strings of lights, but I liked the way the lighting in the doorway was concealed, creating a welcoming atmosphere. Tripod was used.
Fig 04 is a cityscape that I had taken while I was just finishing up the colour assignment. The city in the background is illuminated with mainly fluorescent lighting, while the memorial in the foreground was illuminated with spotlight (I think it was sodium vapour as it had a slight pink tinge) that was behind me. Tripod was used.
I’ve been wanting to photograph our new Psychiatric hospital (fig 05) ever since it was completed just recently so this was the perfect opportunity to do this. I only had my 18-55 kit lens with me unfortunately and the ideal position to photograph this building would have been right in the middle of the busy road (not a good idea). I think I will try and go back with a telephoto so that I can shoot from across the street. I did have to bring the highlights down using local adjustments as it was quite difficult to measure the correct exposure due to the different intensity of the lights. Tripod was used.
Fig 06 features a view of the North Vancouver Public Library through the Continuum sculpture by Katherine Kerr. The sculpture is inscribed with details of key events of the past 100 years. I think fluorescent lighting is in use in the library, but I’m not sure what kind of light is used to illuminate the sculpture. Tripod was used.
A slight change of position from the previous photo brings the city square’s fountain and clock into view. This was a long exposure so I used a tripod. LED lights are strung up in the tree, while there is probably a mix fluorescent and tungsten lighting in the apartment buildings in the background.
In fig 08 one can see people doing some last minute shopping for their evening meal. I positioned myself across the street from this brightly-lit grocery shop and used my tripod as a monopod to take this shot. Because of the slow shutter speed one can see some motion blur from the shoppers.
Back at the city square I noticed the overhead neon lights from a restaurant reflecting in the water of the fountain. I like the way the steps provide some framework and dimension to the image, and the ripples of the water that is lit is created by the fountain a little further off the camera’s right frame. Tripod was used.
The combination of street, interior and staircase lighting gave these concrete steps (fig 10) a beautiful warm glow. After taking the image I noticed the shadow of the tree which was cast on the steps (camera left) which just added an extra dimension to the image. Tripod was used.
Fig 11 features an image of my favourite coffee shop that I pass everyday en route from work. This image was hand-held. I did a slight crop in post processing so that the two big pillars would provide a lead in frame, thus emphasising the name and doorway to the shop. The interior lighting casts a pleasant glow on the brickwork on the sidewalk.
Fig 12 features the interior of a Subway sandwich shop. The lighting is mainly fluorescent, but the hanging lights might be tungsten. There is definitely a difference in the tone of the light sources. This image was also hand-held.